Specifications
Featured Specs
-
Neck/Body Material
One-piece carbon fiber -
Overall Length
23.2" -
Size
Concert -
Body Depth (Rear)
3" -
Weight
1lb 11oz -
Scale Length
15.25" -
Number of Frets
19 -
Tuners
Composite -
Strap Pin Buttons
Black Aluminum -
Strings
D'addario Fluorocarbon
Body Specs
-
Material
Carbon Fiber Composite -
Color
Black Carbon Fiber -
Finish
Gloss -
Body Length
11" -
Width at Waist
5.2" -
Width at Lower Bout
8.3" -
Width at Upper Bout
6" -
Bridge Style
String through body -
Bridge Material
Composite Ebony -
String Spacing at Bridge
1.54" -
Soundboard Bracing
None -
Soundhole Diameter
2.56"
Neck Specs
-
Material
Black Carbon Fiber -
Finish
Gloss Lacquer -
Nut Width
1.38“ -
Number of Frets (Clear)
14 -
Fingerboard Material
Composite Ebony -
Fingerboard Radius
Flat -
Fingerboard Style
Traditional Acoustic -
Headstock Shape
Minimalistic -
Headstock Angle
12 Degrees
While most high end ukuleles need to be kept in a case with a humidifier and babied, this ukulele was designed to stay out of the case, ready to play at all times. The KLOS Concert Ukulele continues our mission to make instruments that are never left behind.
The nut, frets and bridge all have an influence on the string playability, and getting them all to work in harmony makes a ukulele you keep coming back to. We take our utmost pride in crafting a ukulele that you can bring with you wherever you go, and one that you wouldn't want to leave behind.
It's a lot easier to control the shape of carbon than it is the shape of wood. We've meticulously designed a beautifully resonant ukulele that you know will sound perfect every time you pick it up.
We are proud to have our factory located in the heart of the Rocky Mountains, which was the original inspiration for combining adventure with guitars. We are proud to do the design, assembly, and most of the building in our own factory in Utah, and we buy parts and materials from world renowned factories overseas.
A big question we ask ourselves is: which part of the guitar building process requires the most skill, and impacts the player the most? The first half or the second half? Our answer: the second half. So we outsource some parts and materials (the first half), and keep the second half of the manufacturing process in house, and do it ourselves. This allows us to scale as a company and focus on building quality instruments that are incredible to play.